Flash Reviews
Home
Horse Feathers (1932)
Duck Soup (1933)
Yankee Doodle Dandy (1942)
The Ox-Bow Incident (1943)
It's a Wonderful Life (1946)
On the Town (1949)
Sunset Boulevard (1950)
Singin' in the Rain (1952)
The Wild One (1953)
Rear Window (1954)
Suddenly (1954)
The Night of the Hunter (1955)
Invasion of the Body Snatchers (1956)
The Killing (1956)
A Face in the Crowd (1957)
12 Angry Men (1957)
The Little Shop of Horrors (1960)
Psycho (1960)
Breakfast at Tiffany's (1961)
The Manchurian Candidate (1962)
The Last Man on Earth (1964)
Fahrenheit 451 (1966)
In the Heat of the Night (1967)
Bonnie & Clyde (1967)
Guess Who's Coming to Dinner
Night of the Living Dead (1968)
Butch Cassidy & the Sundance Kid (1969)
Easy Rider (1969)
Last Tango in Paris (1972)
Young Frankenstein (1974)
Blazing Saddles (1974)
The Shootist (1976)
Taxi Driver (1976)
The Jerk (1979)
Coal Miner's Daughter (1980)
On Golden Pond (1981)
Tender Mercies (1983)
Hoosiers (1986)
Groundhog Day (1993)
The Jerk (1979)

 by Julian Spivey

 

Steve Martin was the biggest stand-up comedian of the late 1970s.

 

Martin was selling out arenas that previously only major rock ‘n’ roll artists could sell out. It’s not much of a secret that Martin changed stand-up comedy forever.

 

It’s been so long now that many people either forget or do not realize that Martin indeed came to fame as a stand-up comedian. For the last 30 years Martin has been a successful and highly bankable film star, despite being often critically panned. His film career began in 1979 with a breakout role in Carl Reiner’s “The Jerk.” Thirty years later the film stands the test of time as one of the greatest comedies of all time.

 

“The Jerk” was co-written by Martin, Carl Gottlieb and Michael Elias. Martin stars as Navin R. Johnson, a man who was “born a poor black child” and becomes a millionaire selling a wacky eyeglasses product that includes a handle, thus making it easier to take off and put back on.

 

“The Jerk” is a 94 minute wild and wacky film. Portions of the film are downright stupid, but it’s honestly hard to find a comedy that doesn’t include dumb and dull moments. Even classics like “National Lampoon’s Animal House,” “Airplane!” and “Blazing Saddles” have these types of moments.

 

The best parts of “The Jerk” are without a doubt the scenes that involve the great film character actor M. Emmet Walsh. Walsh plays a gun wielding psycho who after flipping through a phone book lands on Johnson’s name and determines that he will be his next victim. While Johnson is working as a gas station attendant the man begins to shoot at him. The shooter misses and hits a bunch of oil cans beside Johnson, which leads to one of the film’s greatest lines: “There’s something wrong with these cans. He HATES these cans!” 

Walsh is such a good character actor that he has been immortalized in great film critic Roger Ebert’s “Stanton-Walsh” rule, which states that any film featuring character actors Harry Dean Stanton and Walsh can be altogether bad. So, even if the only thing “The Jerk” had going for it was simply an appearance by Walsh it would be worth the watch.

 

Comedies are always hard films to review. What is funny for one person, might be agonizingly unfunny to somebody else. This is why comedic films are generally few and far between when it comes to greatest films lists and classic films lists. “The Jerk” is considered to be a classic of the comedy genre and even it has received numerous bad reviews from film critics.

 

“The Jerk” was named the 89th funniest film of all time by the American Film Institute. The Bravo television network gave it a more favorable position on their “100 Funniest Movies” list, at number 20.

 

“The Jerk” is without a doubt one of the funniest films in the comedy genre and is a watershed moment in the genre’s history as it showed film audiences for the first time what Martin was capable of doing on film.